Mozart - Symphony No. 28, K 200

1. Allegro spiritoso 1937, Berliner Instrumental-Collegium Found at satyr78lp.blogspot.com, a great site with many wonderful downloads available. Fritz Stein (Conductor, Musicologist) Born: December 17, 1879 - Gerlachsheim, Baden, Germany Died: November 14, 1961 - Berlin, Germany The German conductor and musicologist, Fritz (actually, Friedrich Wilhelm) Stein, studied theology in Karlsruhe, then took courses in musicology with P. Wolfrum in Heidelberg. Subsequently he went to Leipzig, where he studied various subjects with Krehl, Nikisch, Riemann, and Karl Straube. He completed his musicological training at the University of Heidelberg, receiving Ph.D. in 1910, with the dissertation 'Zur Geschichte der Musik in Heidelberg' (published in 1912). Fritz Stein went to Jena in 1906 as music director of the University and city organist. In 1913 he was appointed professor of musicology at the University. He served in the German army during World War I and directed a male chorus for the troops at the front. He became a reader in musicology at the University of Kiel in 1920, then was a professor from 1928 to 1933. In 1933 he became director of the Hochschule für Musik in Berlin, holding this position to the end of World War II in 1945. Fritz Stein achieved notoriety when he discovered in the library of the University of Jena the parts of a symphony marked by an unknown copyist as a work by Beethoven. The symphony became famous as the "Jena Symphony" and was hailed by many as a genuine discovery; the score was published by Breitkopf & Härtel in 1911, and performances followed all over the world; Stein published his own exegesis of it as "Eine unbekannte Jugendsymphonie Beethovens?" in the Sammelbitnde der Internationalen Musik-Gesellscbaft (1911). Doubts of its authenticity were raised, but it was not until 1957 that H.C. Robbins Landon succeeded in locating the original manuscript, proving that the "Jena Symphony" was in reality the work of Friedrich Witt (1770-1837). Stein published a monograph on Max Reger (Potsdam, 1939) and Max Reger: Sein Leben in Bildern (a pictorial biography; Leipzig, 1941. He brought out a thematic catalogue of Max Reger's works (Leipzig, 1934); edited works by Johann Christian Bach, Georg Philipp Telemann, Georg Frideric Handel, Beethoven, etc.; contributed essays to numerous learned publications. A Festschrift was published in his honour on his 60th birthday (1939). Mozart composed this symphony in either 1773 or 1774 for Salzburg. If 1774 is correct, then No. 28 followed rather than preceded Nos. 29 and 30. Like all but four symphonies (Nos. 25, 29, 31, 34) written before his escape in 1781 from the employ of Salzburg's autocratic Archbishop, No. 28 has been overshadowed by his last six symphonies, beginning with the "Haffner" of 1782 (No. 35). Symphonies 28 and 33 (in B flat, K. 319) were written in major keys and deserve a fuller life than occasional performances. No. 28 is more extroverted; typically, Mozart added trumpets and timpani to the usual pairs of horns and oboes (or flutes). For some mavens it echoes (or anticipates) works ranging from Haydn's "Farewell" Symphony of 1772 to his own The Magic Flute of 1791. However, despite comic implications in the scurrying Presto finale, he eschewed ironies and sentiment.

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