Beethoven - Violin Sonata, Opus 24 "Spring"

0:00 - I. Allegro 9:49 - II. Adagio molto expressivo 16:17 - III. Scherzo, allegro molto 17:32 - IV. Rondo, Allegro ma non troppo Violin Sonata 5 in F, Op. 24 "Spring" Piano: Vladimir Ashkenazy Violin: Itzhak Perlman Note: at this time the annotations will not appear on mobile devices, so if possible please watch from a computer. For more videos of this type see: Color-Coded Analysis of Beethoven's Music (INDEX): http://lvbandmore.blogspot.com/p/color-coded-analysis-of-beethovens-music.html Introduction to Sonata Form: http://lvbandmore.blogspot.com/p/about-sonata-form-and-analysis.html Arrangement for Electric Rock Band: http://www.youtube.com/watch?v=5VBNSri825g My Analysis Cheat Sheet: -SONATA FORM: Most common form, almost always in the 1st movement and often last movement of a work. The basic sequence is Intro, Exposition, Development, Recapitulation and Coda. -EXPOSITION: Main theme(s) are presented, usually in the home key and then a modulated key -THEME / THEME GROUP: musical "paragraph". These can be broken down into 1 or more "tunes". These are grouped according to key and end on cadences. The 1st Theme Group is in the home key. The 2nd Theme Group is in the dominant or other key. -CLOSING/CADENCE SECTION: a theme group which closes the Expo or Recap (it follows the 2nd theme) and revives Theme 1 to provide closure. -MODULATING BRIDGE/TRANSITION: material to get from 1 key/theme group to another, often w sequencing. -DEVELOPMENT: free-form "working out"/"fantasia" section where earlier themes are subjected to variations and atomizations. Possibly a new theme is introduced ("Eroica"). -RECAPITULATION: Repeat of the Expo, except that this section remains in the same key throughout and there can be theme variations from the initial Expo versions of themes. -CODA: Follows the Recap, kind of a second development designed to finish off the work. -SEQUENCING: repeating a phrase on different starting notes (keys) -TERNARY FORM: 3-part form in A-B-A, usually a Scherzo or Minuet -SCHERZO/MINUET: 1st pt. of a 3-pt. Scherzo form, usually AA.BA'.BA' in 3/4 time. Lively. -TRIO: Middle section of a Scherzo movement, slower, broader than the Scherzo section -RONDO: Similar to Sonata form except that the Development is replaced by a new section and there is less transition material. A principal theme (A) alternates with contrasting themes (BCD...). (Ex.ABACABA.) -FUGUE: form in which a subject(s) undergoes canonical permutations -VARIATION: repeat of a theme with variation -CADENZA: unaccompanied instrumental solo -BINARY FORM: Structure in AB. 2-Part Song form. (Disclaimer: I do not have a music degree, all of the above is purely from memory and observation) 2/3 Beethoven's "Spring" Violin Sonata (Color Analysis) http://lvbandmore.blogspot.com/2011/02/23-beethovens-spring-violin-sonata.html Movement I. Allegro Exposition 1st Theme (MAROON) 2nd Theme (BLUE) 3rd Theme (TAN) Exposition Repeat 1st Theme (MAROON) 2nd Theme (BLUE) 3rd Theme (TAN) Development (PURPLE) Part 1 - on 1st Theme Part 2 - on 2nd Theme Recapitulation 1st Theme (MAROON) 2nd Theme (BLUE) 3rd Theme (TAN) Coda (GREEN) Movement II: Adagio molto expressivo (starting at 9:49) 1st Theme (piano) (MAROON) 1st Theme (violin) 2nd Theme (BLUE) 1st Theme Variation (piano) (MAROON 2) 1st Theme Variation (violin) 2nd Theme Variation (violin) (BLUE 2) 2nd Theme Variation (piano) 1st Theme Development (BROWN) Movement III: Scherzo, Trio (starting at 16:17) Scherzo (BROWN) Trio (OLIVE) Scherzo Repeat (BROWN) Movement IV: Finale (starting 17:32) Exposition 1st Theme (MAROON) 2nd Theme (OLIVE) 3rd Theme (GREEN) Development 1st Theme (Var 1) (MAROON LIGHT) 2nd Theme (Var 1) (OLIVE LIGHT) Transition (BLUE) Recapitulation 1st Theme (Var 2) (MAROON) 2nd Theme (OLIVE) 3rd Theme (GREEN) Development 2 1st Theme (Var 3) (MAROON LIGHT) 2nd Theme (Var 2) (OLIVE LIGHT) Coda (2nd Theme) (OLIVE) (from Alan Rich's Play by Play)

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