Beethoven - Four Ariettas and a Duet, Opus 82

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Four Ariettas and a Duet, Opus 82

Ludwig van Beethoven

composer portrait

Born

December 16, 1770

Died

March 26, 1827

Timeline

Classical

Nationality

Germany

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Work Details
Similar Works

Composed

1809

Age

39

Genre

Vocal

Sub-Genre

Duet

Sub-Sub-Genre

Catalogs

Opus 82

Music Scores

Sheet Music Plus

Hochzeitslied, WoO 105

Merkenstein, Opus 100

YouTube Player

Op. 82, No. 4,
"L'amante impaziente," by Beethoven (Elizabeth Robertson, Senior Recital 2010)

Movie Description from YouTube

No. 4 "L'amante impaziente," from Four Ariettas and a Duet by Beethoven Vocal Artist: Elizabeth (Lenz) Robertson (Mezzo-soprano) Collaborative Pianist: Rose Chen Performance/Date Recorded: Senior Recital/ Spring, 2010 This live recording was taken from Ms. Robertson's senior recital in completion of her Bachelors Degree in Music Performance at Biola University's Conservatory of Music. Paraphrased Translation: (Original Italian poem by Metastasio/Pietro Trapassi) "What is it? What is it that my beloved is doing? Why is it he does not come to me? Does he like to see me languish like this?! How slowly the sun runs its course! Every second seems like a day to me. What is it my beloved is doing? Why does my love not come? Does my love delight in my languishing heart, like this?" Notes from the artist: ~On the song: Beethoven wrote this song cycle in 1809, featuring German titles in three of the five songs, but utilizing Italian text in all. Beethoven's goal during this time was to focus primarily on the setting of Italian text as he sought out tutelage under the prominent late 18th century composer Antonio Salieri (1750-1825). For all but the first song of the set Beethoven chose to use text by the famous Italian poet and librettist Metastasio (1698-1782). The text of "L'amante impaziente," or The Impatient Lover was set to music twice in this same cycle (once in No. 3 and the second time in No. 4). The first setting is playful, a bit frantic, but on the whole, hopeful in tone. Beethoven takes a different approach to the setting of the text in the fourth piece. The beginning of the song immediately reveals this contrast with its slow unison questioning ascending line in both the piano and voice. It is clear through the slower more languishing pace that the anxiety expressed in No. 3 has moved on to near despair. The singer's desperation is made evident in the allegro section as she comments on the slow passage of the sun. ~On the photography: I took all of the photos myself with my digital camera. All of the photos were taken while walking through Central Park in New York City when I traveled there. I am an amateur photographer, and have had no formal training in photography, but I wanted to share them with you all.

YouTube Results

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Op. 82, No. 4, "L'amante impaziente," by Beethoven (Elizabeth Robertson, Senior ...

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Op. 82, No. 2, "Liebes-Klage," by Beethoven (Performed by Elizabeth Robertson, S...

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Joyce DiDonato: Beethoven - Arie italiane Op 82, Arietta assai seriosa, 'Che fa ...

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Beethoven - Arietta buffa (L'amante impaziente) op 82 no 3

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Beethoven - Songs 1803-1822 (Instrumental versions for Guitar & Clarinet)

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Beethoven: Gavotte Duet (Piano)

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